Nadine George-Graves

Articles

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Taking the Cake: Black Vaudeville, Dance Competitions and Value

Sissieretta, Treemonisha, and Hip Hopera: Opera and The Performativity of Race and Class

Identity Politics and Political Will: Jeni LeGon Living in a Great Big Way

'Is This Going To Be Depressing?’: Intercultural Theater, Empathy and Conversations in Pirira

Spreading the Sand: Understanding the Economic and Creative Impetus for the Black Vaudeville Industry

Diasporic Spidering: Constructing Contemporary Black Identities

Inside/Beside Dance Studies: A Conversation: Mellon Dance Studies in/and the Humanities

LaShonda Getting Herself Together: The Body, Trauma and History in Stacey Robinson’s Quiet Frenzy

African American Performance and Community Engagement

Performance is Not Benign

The Safety Dance

‘Just Like Being At The Zoo’: Primitivity and Ragtime Dance

Assessment on the State of African American Theater Studies

Dixwell Stories: Urban Bush Women, Dance and Community Service

Dance and Identity Politics in American Negro Vaudeville: The Whitman Sisters 1900-1935

Book Reviews

A History of African American Theatre by Errol Hill and Jim Hatch

The Black Dancing Body: A Geography from Coon to Cool by Brenda Dixon Gottschild

Black Theatre: Ritual Performance in the African Diaspora, edited by Harrison, Walker, and Edwards

The Routledge Reader in Politics and Performance, edited by Lizbeth Goodman and Jane de Gay

No Surrender! No Retreat!: African American Pioneer Performers of Twentieth-Century American Theatre by Glenda E. Gill

A Sourcebook of African American Performance by Anna Bean

Africans on Stage: Studies in Ethnological Show Business, edited by Bernth Lindfors