Nadine George-Graves

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    © 2015 Nadine George-Graves – All Rights Reserved.

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    Articles

    Please click on the links below to be directed to each specified article’s page on this website.

    Click here to jump down to Book Reviews

     

     
    'Is This Going To Be Depressing?’: Intercultural Theater, Empathy and Conversations in Pirira
    Spreading the Sand: Understanding the Economic and Creative Impetus for the Black Vaudeville Industry
    Diasporic Spidering: Constructing Contemporary Black Identities
    Inside/Beside Dance Studies: A Conversation: Mellon Dance Studies in/and the Humanities
    LaShonda Getting Herself Together: The Body, Trauma and History in Stacey Robinson’s Quiet Frenzy
    African American Performance and Community Engagement
    Performance is Not Benign
    The Safety Dance
    ‘Just Like Being At The Zoo’: Primitivity and Ragtime Dance
    Assessment on the State of African American Theater Studies
    Basic Black
    Dixwell Stories: Urban Bush Women, Dance and Community Service
    Dance and Identity Politics in American Negro Vaudeville: The Whitman Sisters 1900-1935
    A History of African American Theatre by Errol Hill and Jim Hatch
    The Black Dancing Body: A Geography from Coon to Cool by Brenda Dixon Gottschild
    Black Theatre: Ritual Performance in the African Diaspora, edited by Harrison, Walker, and Edwards
    The Routledge Reader in Politics and Performance, edited by Lizbeth Goodman and Jane de Gay
    No Surrender! No Retreat!: African American Pioneer Performers of Twentieth-Century American Theatre by Glenda E. Gill
    A Sourcebook of African American Performance by Anna Bean
    Africans on Stage: Studies in Ethnological Show Business, edited by Bernth Lindfors
    Book Reviews
    Taking the Cake: Black Vaudeville, Dance Competitions and Value
    Identity Politics and Political Will: Jeni LeGon Living in a Great Big Way
    Sissieretta, Treemonisha, and Hip Hopera: Opera and The Performativity of Race and Class